In 1979,
Ridley Scott hit us with an instant classic. Alien is widely renowned as one of the best sci-fi horrors ever
made. Since then, there have been sequels, videogames and mash-ups, such as
when Alien met Predator. However, now comes the first prequel to the franchise and
it packs one hell of a punch.
From the
opening scene-which offers an entirely new perspective on the origins of the
human race-it is unclear where this film will go. It seems to attempt to tackle
issues regarding religion, life and death, and the creation of our race.
However, anyone who goes in expecting to see a philosophical drama that may
answer some questions may be disappointed. After touching on these issues in
the opening scenes, and with a few references to it a little later on, it then
becomes a sci-fi action movie through and through, with maybe a little horror
element thrown into the mix.
The plot
centres around Professor Elizabeth Shaw (Noomi Rapace), an archaeologist who –
with her partner Charlie (Logan Marhsall-Green) discovers a painting on the
wall of a cave. After matching some symbols with other paintings, they realise
that the symbols actually depict a cluster of planets, one of which seems able
to sustain human life. Shaw believes that the ‘Maker’ lies in wait on this
planet, and so she, Charlie and a group of other researchers (including
Charlize Theron as the head of the operation) journey out to find this planet,
and let’s just say that the inhabitants of the planet were a little less
friendly than Shaw hoped.
The first
thing to notice about this film, is that the special effects are absolutely stunning. It’s clear that a sizeable chunk of the movie’s $125 million budget
has been spent making the film look spectacular. However, unlike films such as Avatar, this film doesn’t use special
effects to cover up what it lacks everywhere else. Prometheus has managed to combine superb visual effects with an
engaging storyline, pulse-pounding action, and the edge-of-your-seat suspense
that the series is known for.
As far as
the performances go, Rapace manages to give a great performance as the lead
character, and the co-stars (Theron, Green, etc) all give particularly normal
performances, with nothing notably good or bad about any of them. The only
member of the cast who stood out for me, was Michael Fassbender, who’s
portrayal of the android known only as ‘David’ was near flawless. His ability
to play his character with such a lack of emotion, yet be able to make the
audience care for him is something to be admired.
However, it
isn’t all plain sailing. Whilst certainly engaging, the narrative isn’t
entirely clear to any audience who hasn’t seen the Alien films. Whilst there are no direct references to it, many of
the scenes (particularly the ending) will fall short of the desired effect.
What makes this worse, is the fact that the film is clearly aimed at a teenage
audience, who may not be familiar with the series. It seemed as though Scott
couldn’t decide whether to make a separate film, or a direct prequel, and so
decided to go halfway.
There are
also many elements to this film that will have you frowning in confusion. Not
from an overly-complicated plot point, but from moments when the characters
ignore the most ridiculously obvious things, in order to progress the story.
There are many moments that may have you wondering if the people on the screen
are actually true scientists, as some of the things they do are so incredibly
stupid, such as standing and watching a huge spaceship that’s moving towards
them at high speeds, before turning to run.
As a
standalone title, Prometheus is a
decent sci-fi, action movie. However, if you’re wanting to see a deep,
philosophical movie about the origins of life, or perhaps a direct prequel that
will explain any and all unanswered questions of the Alien franchise, you’d be flying to the wrong planet.
7/10 Good
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